She was getting ready to go over to a gallery to hang her show. I hadn't even begun to look for a new piece when I literally walked by Deb holding a painting while on the sidewalk. "I add one new piece to my small, but growing collection each year.Of course, now we want more." - Private collector, Boston, Massachusetts November 2010 We bought our first contemporary photograph. With this piece though, we couldn't resist. We rarely added photographs to our collection and when we did so, it was with pieces that were produced decades ago. "We'd been collecting art and antiques for more than 30 years when we saw Deb's "Sunrise on the Reef" at a gallery opening in New York.After all, I am an artist."ĭeb was the 2018 and inaugural winner of the St. "There is no rule that says that I am allowed only one personality. In many ways, Deb's work seems like the work of multiple artists … or perhaps multiple personalities. What continues to result from this self-exploration is a body of work that strolls different avenues of creativity while applying equally different media. That which we actually see is an interpretation - the viewer’s - and that changes with each person, lighting, environment, and more. She wants to forge something more than just an image she wants her paintings to continually morph. 636,694 OFF MARKET Estimated value 16 Patterson Ct Peekskill, NY 10566 Forestview at Westchester 4 Beds 4 Baths 3,170 Sq Ft 0.25 Acres About This Home This beautifully updated and spacious Colonial home has a perfect location at the end of a cul-de-sac. History plays greatly into who she is and where she will go and it has inspired Deb to revive a classic role of an artist, that of a painter. As soon as she let go of this rule, she says that she started to delve into "what makes me, me."įor as much as she is exploring inward and striving forward, she looks backward as well. Yet it felt false to her to present this other art because she had been subscribing to an unwritten rule that dictated that she could only be a photographer, only be a painter, or only some other type of artist.
In the water, everything that we know goes away - noise, gravity, perceptions - there is tremendous peace and it allows Deb to create visual enigmas that calm rather than confuse.Įven with this devout love of photography, Deb had always worked in other media. Having a deep affinity for water, she merged these two passions and began creating underwater work. She learned to take what was there, what was real - the light, the dark, the mood, the balance, the air - and translate it through the lens. She grew up with cameras, films, and the other photography accouterments being as normal to her as baseballs or dolls were to other kids. By the end of the nineteenth century, the pattern of child care in the State had become so. She did this because the majority of her work was done in the photographic medium and her camera had been, in many ways, her champion. For a long time, Deb referred to herself as a photographer rather than as an artist.
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